英语历年考试真题是必备的资料，真题是一个标准，做真题可以把握试题难度，出题角度，了解命题重点。下文中特整理了考研英语一真题：阅读理解，一起来练习一下吧。
A group of labour MPs, among them Yvette Cooper, are bringing in the new year with a call to institute a UK "town of culture" award. The proposal is that it should sit alongside the existing city of culture title, which was held by Hull in 2017 and has been awarded to Coventry for zoz1. Cooper and her colleagues argue that the success of the crown for Hull, where it brought in £220m of investment and an avalanche of arts, out not to be confined to cities. Britain' town, it is true are not prevented from applying, but they generally lack the resources to put together a bit to beat their bigger competitions. A town of culture award could, it is argued, become an annual event, attracting funding and creating jobs.
Some might see the proposal as a boo by prize for the fact that Britain is no longer be able to apply for the much more prestigious title of European capital of culture, a sough-after award bagged by Glasgow in 1990 and Liverpool in 2008. A cynic might speculate that the UK is on the verge of disappearing into an endless fever of self-celebration in its desperation to reinvent itself for the post-Brexit world: after town of culture, who knows that will follow-village of culture? Suburb of culture? Hamlet of culture?
It is also wise to recall that such titles are not a cure-all. A badly run "year of culture" washes in and out of a place like the tide, bringing prominence for a spell but leaving no lasting benefits to the community. The really successful holders of such titles are those that do a great deal more than fill hotel bedrooms and bring in high-profile arts events and good press for a year. They transform the aspirations of the people who live there; they nudge the self-image of the city into a bolder and more optimistic light. It is hard to get right, and requires a remarkable degree of vision, as well as cooperation between city authorities, the private sector, community. groups and cultural organisations. But it can be done: Glasgow's year as European capital of culture can certainly be seen as one of complex series of factors that have turned the city into the power of art, music and theatre that it remains today.
A "town of culture" could be not just about the arts but about honouring a town's peculiarities-helping sustain its high street, supporting local facilities and above all celebrating its people and turn it into action.
21.Copper and her colleague argue that a "town of culture" award would ___.
A. consolidate the town city ties in Britain
B. promote cooperation among Brain's towns
C. increase the economic strength of Brain's towns
D. focus Brain's limited resources on cultural events.
22.According to paragraph 2, the proposal might be regarded by some as ______..
A.a sensible compromise
B.a self-deceiving attempt
C.an eye-catching bonus
D.an inaccessible target
23. The author suggests that a title holder is successful only if it ______
A. endeavor to maintain its image
B. meets the aspiration of its people
C. brings its local arts to prominence
D. commits to its long-term growth
24. “Glasgow” is mentioned in Paragraph 3 to present ______
A. a contrasting case
B. a supporting example
C. a background story
D. a related topic
25. What is the author's attitude towards the proposal?
A. Skeptical B. Objective C. Favorable D. Critical
21-25 CBDAD
Scientific publishing has long been a licence to print money. Scientists need journals in which to publish their research, so they will supply the articles without monetary reward. Other scientists perform the specialised work of peer review also for free, because it is a central element in the acquisition of status and the production of scientific knowledge.
With the content of papers secured for free, the publisher needs only find a market for its journal. Until this century, university libraries were not very price sensitive. Scientific publishers routinely report profit margins approaching 40% on their operations, at a time when the rest of the publishing industry is in existential crisis.
The Dutch giant Elsevier, which claims to publish 25% of the scientific pepers produced in the world, made profits of more than £900m last year, while UK universities alone spent more than £210m in 2016 to enable researchers to access their own publicly funded research; both figures seem to rise unstoppably despite increasingly desperate efforts to change them.
The most drastic, and thoroughly illegal, reaction has been the emergence of Sci-Hub, a kind of global photocopier for scientific papers, set up in 2012, which now claims to offer access to every paywalled article published since 2015. The success of Sci-Hub, which relies on researchers passing on copies they have themselves legally accessed, shows the legal ecosystem has lost legitimacy among is users and must be transformed so that it works for all participants.
In Britain the move towars open access publishing has been driven by funding bodies. In some ways it has been very successful. More than half of all British scientific research is now published under open access terms: either freely available from the moment of publication, or paywalled for a year or more so that the publishers can make a profit before being placed on general release.
Yet the new system has not worked out any cheaper for the universities. Publishers have responded to the demand that they make their product free to readers by charging their writers fees to cover the costs of preparingan article. These range from around £500 to $5,000. A report last year pointed out that the costs both of subscriptions and of these “article preparation costs” had been steadily rising at a rate above inflation. In some ways the scientific publishing model resembles the economy of the social internet: labour is provided free in exchange for the hope of status, while huge profits are made by a few big firms who run the market places. In both cases, we need a rebalancing of power.
26. Scientific publishing is seen as“a licence to print money" partly because________
[A] its funding has enjoyed a steady increase .
[B] its marketing strategy has been successful.
[C] its payment for peer review is reduced.
[D] its content acquisition costs nothing.
27. According to Paragraphs 2 and 3, scientific publishers Elsevier have________
[A] thrived mainly on university libraries.
[B] gone through an existential crisis.
[C] revived the publishing industry.
[D] financed researchers generously.
28. How does the author feel about the success of Sci-Hub?
[A] Relieved.
[B] Puzzled.
[C] Concerned
[D] Encouraged.
29. It can be learned from Paragraphs 5 and 6 that open access terms________
[A]allow publishers some room to make money.
[B] render publishing much easier for scientists.
[C] reduce the cost of publication substantially.
[D] free universities from financial burdens.
30. Which of the following characterises the scientific publishing model?
[A] Trial subscription is offered.
[B] Labour triumphs over status.
[C] Costs are well controlled.
[D] The few feed on the many.
26-30 DABAD
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